Drafting has always fascinated me. The ability to create a picture that is so well detailed and dimensioned that it can be used to produce parts or structures is a great gift.
Entering 9th grade, my freshman year in high school, I enrolled in Mechanical Drawing. I spent three years learning how to be a mechanical draftsman and enjoyed the challenge. We might be handed a piston or a connecting rod or a fuel pump, and be told to produce an accurate representation of it. Interesting stuff.
My senior year, I decided to switch over to architectural drawing and learn how houses are built.
Our lone drafting teacher was H. H. Robinson. Mr. Robinson had come to Augusta High School when my folks had been students in the late 1920’s. Now, the only classes he taught were the drafting classes. His main job now was as superintendent of schools. He still enjoyed the drafting classes and always circled the room, going from drafting table to drafting table, overseeing the work and offering suggestions. He could be quite critical of lettering and dimensioning. He figured that a drawing was worthless if you couldn’t read the title block or dimensions. As a result, he gave a lettering test every week. I worked hard at both the drafting and the lettering and got good grades. However, I realized that mine was the work of a good technician, and that I had no artistic ability.
We were neighbors of the Robinsons. We moved to our Cliff Drive address a few days before my 5th birthday, and a couple of weeks before I started kindergarten. So, by the time I was a senior in high school, Mr. Robinson and I knew each other pretty well. He taught me to ice skate and skip rope like a boxer, and probably taught me a few things about being a decent human being.
We had come to the starting point of the last six weeks of my senior year. We students of the Architectural Drafting class were supposed to pick a final project. The home design magazines carried pictures of named home designs complete with floor plans. Our assignment was to choose one of those designs and create the elevations and construction details that would constitute a complete set of plans to build that house.
Mr. Robinson, with clipboard in hand, was going from drafting table to drafting table consulting with each student and then writing down the name of the design they had chosen. I had other ideas. Being a member of that sub-species known as “Teenaged Boys,” I had often heard the exclamation “Wow, she’s built like a brick shithouse!” Never having seen one of these facilities, I had wondered what it would look like. So, when Mr. Robinson stepped up to my drafting table with his clipboard, I said “Brick Outhouse.” He didn’t smile or blink, but simply wrote it down and moved on to the next table.
The project developed smoothly. Mr. Robinson dropped by each day with sound construction tips, but never with a grin or comment. For added comfort, I included a wall heater and a TV shelf with a small TV set. This was really forward looking for me in 1954 as my folks didn’t have a TV set until 1957. I finished the plans and got a good grade. FYI- it was a neat looking structure, but in no way compared with the girls formerly cited.
After graduation, I was working at Howard Motors, the local Chevrolet/Buick dealership and trying to figure out what I was going to do next. One Saturday evening I stopped in at the P & G Bakery for a cup of coffee and ran into Frank Edward Thompson. Frank Edward had been one year ahead of me, and I knew that upon graduation he had gone to work for one of the oil companies in Wichita. We got to talking jobs, and Frank said that he had become a cartographer and was drawing maps. He knew I had taken the drafting classes and wondered if I might be interested because his company was hiring. He said he would be working overtime the next Saturday and that he would show me around if I came over.
On Saturdays, the garage was only open from 8:00am until 1:00 pm. At 1 o’clock that Saturday, I went home and cleaned up, and then drove to Wichita. I found Frank’s work place, and he greeted me and showed me around. When I saw the work he was doing on those oil field maps, I was amazed. Where my drawings looked technical and stiff and boring, his drawings looked vibrant and artsy and alive. I realized then that I could never excel as a draftsman or a cartographer. I thanked Frank for the tour and went home.